Kathleen grew up in a sewing family, and was exposed to the quilting bug at an early age, but it didn't take then. After a couple of forays into the world of quilting she was seriously bitten by the same bug in 1985. She started a quilt as a project for a graduate course in American Architecture and Design, and was thoroughly hooked. Since then she has quilted nearly non-stop, becoming involved in almost all aspects of quilting. Kathleen started teaching quilting with a group of eight to ten-year olds in the Village of Hillburn, progressed to teaching an adult course in the Village, then began teaching for her own quilt guild and other local guilds.
In the world of quilt exhibits and quilt shows, Kathleen exhibited her first quilt in 1991, not because she expected to win a prize, but because "If people don't enter their quilts in quilt shows there won't BE any quilt shows!"
In 1992 she entered another quilt in the Arts = Quilts = Arts exhibit at the Schweinfurth Art Center in Auburn, NY, an annual international juried show, and took the first of many awards there and at other shows. Some deserve special mention: Best Hand Workmanship Award at the New Jersey Quilt Convention (2005); Judge's Choice ribbons in 2002 and 2008; and Best Hand Quilting awards at the Warwick Valley Quilters Guild shows (2004, 2006 & 2008).
Kathleen currently teaches workshops and multiday classes for quilt guilds, libraries and other organizations. She is also available to give presentations showcasing her quilts, original designs and techniques. A list and description of lecture and workshop topics can be found on this website.
She lives in Hillburn, New York, with her husband Walter. They enjoy distance running, traveling, and their granddaughter, Gwen. Kathleen is enjoying her retirement from high school teaching and is spending a lot more time on those activities, especially quilting!
P.O. Box 1193
Hillburn, NY 10931
Quilt Professionals' Network
Mid-Atlantic Quilt Guild Network (MAQGNet)
Arts Council of Rockland (ACOR)
National Quilting Association (NQA)
West Milford Heritage Quilters Guild
Download Brochure (requires Acrobat Reader)
An alternate title for this lecture would be "How One Quilt Inspires Another". Often I finish a quilt and make another similar one because I have leftover fabric, or loved the design, or someone I know wants one. This has resulted is several pairs, or even sets, of similar, but different quilts.
I have many quilts that were started by someone else, some old and some new. I even know the makers of some of the quilt tops. Where I got them and what I did with them is the focus of this lecture. Somehow I owe these other quilters the completion of their quilts, and I try to maintain their vision.
I start this lecture by asking members of the audience to answer a few questions about their lives. Their answers are an outline for their own life album quilt. I then share two and a half quilts I have made, one celebrating my life, one celebrating the life of my son, and one (in progress) celebrating the fourteen years of my current marriage. The focus is on individual blocks, and creating something unique to each individual.
This interactive lecture works for 60 participants or fewer. The audience is divided into six smaller groups. Each group gets one of my quilts and a blank evaluation form, which the group fills out during the next ten minutes. Then the quilts are passed to the next group and the process is repeated. When each group has filled our the quilt evaluation form for three quilts, I share with them the actual judges' responses to the same evaluation forms so they can see how their perceptions measure up against those of certified judges.
This is your basic trunk show of how I got from being a knitter, crocheter, hooker, embroiderer, sewer to quilter in a very short time.
This talk presents an overview of quilts, how they are made, and the different techniques used in making quilt tops. Examples of old quilts and newer quilts in the various styles will be shown.
Using fabric and two-sided fusible interfacing, make a container that can be used as an evening bag or a gift box. Sewing machine required.
This is a washable drawstring pouch made almost entirely by machine, with eight pockets for thread, sewing notions, or earrings, if you choose to use it for travel.
Learn basic hand applique and beginning embellishment techniques in this block that can be used as a pillow, as one block in a sampler quilt, or to make a larger quilt.
Take an old pair of jeans and create a new one-of-a-kind lined handbag or tote. Sewing machine required.
Using just five fabrics and elementary stained glass quilting techniques, create a small piece that evokes a landscape, mood or theme. Hand-applique will be taught, but if you are experienced with machine applique you may use that method.
Learn to make five or six different flowers, some by machine, some by hand, and some using both methods. The flowers can be used to embellish quilt blocks, clothing or accessories.
Bring quilts that need binding, sleeves and labels. You'll finish and sew on a label, make a sleeve, and get a good start on fool-proof binding. Sewing machine required.
Machine piece one (or more!) kimonos, using your choice of Oriental (or other) fabric. The kimonos, when combined with a paper foundation pieced lantern (pattern supplied), can make a wall hanging or quilt.
Choose from one of four patterns, from easy to advanced, to make a stained glass panel out of fabric. Hand applique will be taught, but if you are experienced with machine applique you may use that method.
Learn basic fabric construction for crazy quilts, and several techniques for embellishing. You'll use ribbon and lace edging, buttons and beads, embroidery, couching and overlay, to create a fancy block. Machine and hand sewing will be used.
This is a true scrap quilt - the more fabrics the better, although you can choose a favorite set of colors. The finished quilt looks very complicated, but in fact is quite easy once the tube technique is learned. Sewing machine required.
Where did it go? You'll start with large nine-patch blocks, cut them up, rearrange them in one of several ways, then sew them back together to produce a quilt that looks nothing like a nine-patch. Sewing machine required.
Redecorate your sewing room with new accessories. You'll make a custom fit sewing machine cover, a stiffened fabric basket. a thread-catcher, and a block carrier, if time allows. Sewing machine required.
Make three dimensional flowers (see description in Half Day Workshops), arrange them in a hand appliqued vase on a background fabric to produce your own fabric still life.
Learn to make four or five different fans using machine piecing and hand applique. Fans can be embellished as desired, and set on point to make a wall hanging or a larger quilt.
Use twelve or fifteen T-shirt with logos smaller than 12" square to make a sashed quilt.
Use T-shirts with any size logos to make a quilt with each block framed in its own fabric.
See Full Day Workshops
See Full Day Workshops
See Full Day Workshops, adding needle case and utensil holder.
Here is a listing of Kathleen's events:
|February 19 - May 7, 2013||T-shirt Quilt Classes||Middletown, NY||Tues 7-9 PM|
|August 14, 2013||Class: Disappearing Nine Patch||No Guilt Quilt Club, WA||10 AM - 4 PM|
|August 16, 2013||Lecture: Quilts and How They're Made||UU Retreat, Seabeck, WA||3:30 PM|
|September 20-22, 2013||Disappearing Nine Patch||Mohican Outdoor Center, Blairstown, NJ||Weekend Retreat|
|November 1-3, 2013||Whirling Octagons||Frost Valley YMCA, Claryville, NY||Fall Quilting Weekend|
|March 4, 2014||T-shirt Quilt classes start||Middletown, NY||Alternate Tuesdays 7-9 PM|
|March 23-25, 2014||Space Camp 2014: Bring UFOs||Mohican Outdoor Center, Blairstown, NJ||Two Day Retreat|
|May 10, 2014||Lecture: TBD||Empire Quilters Guild, Manhattan, NY||1 PM|
|Summer, 2014||Class: Quilted Tote Bag||No Guilt Quilt CLub, WA||10 AM - 4 PM|
|October 3 - 5, 2014||Fussy Cut to Fabulous||Mohican Outdoor Center, Blairstown, NJ||Weekend Retreat|
The project I taught at the September 2013 retreat was Disappearing Nine-Patch. I learned to make this pattern years ago when the West Milford Heritage Quilters used it for a service project, making quilts for veterans. I gave that quilt away, of course, and happy to do so. That meant I had to teach the class without a sample, which may have been a blessing. Instead of following my (quilt) example, students had to create their own block layouts. What a treat for me to watch their amazing quilts take shape. This one is my favorite, a bed-sized quilt by Virginia Sanborn.
September marked the seventh retreat that I've organized at Blueberry Hill Lodge, part of the Mohican Outdoor Center. MOC is an Appalachian Mountain Club facility located near the Delaware Water Gap in Blairstown, NJ. Twelve to fourteen quilters share four bunk rooms and three bathrooms for a full two day weekend, working on a project that I teach, or one of their own. The "big project" is supplemented by a block party raffle, a fabric exchange, a mini project, lots of laughter, and even the occasional adult beverage. Breakfasts and dinners are provided by the AMC; lunches are provided by the quilters, who are also fabulous cooks. This picture shows most of this year's participants. My mother, who turned 94 the first night of the retreat, stayed in bed and missed the photo op!
Inspired by a black and white sketch of an unnamed block, with no name attached, I designed a block I've named Spring Sunset. I could have named it Spring Sunrise, but I'm never up early enough to see a sunrise to know what they look like! I used the block for a block raffle for the West Milford Heritage Quilters in the spring, then decided to use it again for the block party raffle at the annual weekend quilting retreat I organize at Mohican Outdoor Center near the Delaware Water Gap every fall. It's a neat block which you can make using traditional piecing or paper foundation piecing, plus a little bit of appliqué, either by hand or by machine. It is made a little oversized so it can be cut down to exactly 8 1/2", a bonus when many different people are making blocks which will end up in one quilt. I got so caught up in the fabric possibilities that I made FIVE of them, instead of just one. Here is my favorite.
I did it. I finally did it! I sent out one of my quilts to be quilted. I have resisted doing this for years, but finally came around to the viewpoint of many others: too many quilts, too little time to quilt them all by hand. My own machine quilting skills are too poor to complete it that way. One of these years, maybe when my hands can no longer handle the stress of pulling a tiny needle through layers of fabric, I'll buckle down and learn. The quilt itself, "Whirling Octagons", is made from blocks taught by Mary Larsen as a mystery project at an August meeting of the West Milford Heritage Quilters. I liked the block so much I chose it as the pattern for my Box Party project the following year. The blocks were made by eight different quilters, two blocks each, since they are made in pairs. (Can you identify the pairs? Can you find the one block that is totally different from the others?) I made one of the blocks with a very pale blue center so I could use it on the back as a label. Cheryl Winslow did the machine quilting, and I just love it!
I've made five T-shirt quilts: three for me, one for my daughter-in-love Angie, and one for a long-time race director, using shirts from races he directed. I had not made one for my husband Walter, even though he gave me a stack of shirts years ago. That was my cover! Out of sight, out of mind. I started his quilt as a sample for the T-shirt quilt classes I taught yet again in Middletown, NY, in March. I used the shirts that represent his fourteen-year college and high school cross-country coaching career, and luckily, there were exactly twelve. Fifteen would have made a bigger quilt, but twelve was fine. I presented it to him on his birthday this year, and he was totally surprised. The label reads simply "COACH".
My quilt guild, the West Milford Heritage Quilters, is celebrating its 25th anniversary this year. As part of that celebration a challenge was issued: a full length "self-portrait", 10" x 12", quilted and bound. I don't usually participate in these annual challenges, having too many UFOs, but this one spoke to me. I had planned for a long, long time to make a quilt that made some use of the doll clothes I made when I was younger - much younger! I used the pattern provided by the challenge coordinator for the appliqued doll, and dressed her in doll clothes made for my 8-inch doll, Irene Lee, sometime around 1958. For the background I used one of the Van Gogh reproduction prints from a panel I bought a few years ago, representing his 1888 oil painting "Flowering Garden", hence the title.
Here's a new/old quilt for you to enjoy. It's pretty old, 1996, but I haven't ever posted its picture, so it's new to you. My former guild had a "Block Party" raffle each month. Participants would make one or more blocks described or patterned in the Newsletter, and enter them in a drawing. I won these eight blocks and had the challenge not only of laying them out in an interesting way, but of actually FINISHING several of the blocks, as some quilters must have found the applique more difficult than expected. The pattern is reminiscent of traditional Hawaiian applique, although many of those traditional quilts have one large paper-cut pattern instead of several smaller ones. It is quilted in typical Hawaiian fashion, echo quilting, in which the shape of the applique is repeated at regular intervals to the edge of the quilt. It took me five months to finish, and I quilted every day. Never again! At least not until I make my second Hawaiian quilt.
I'd rather show you pictures of completed quilts on these pages, but that's not always possible, given how slow I am at hand quilting my pieces. So here's the most recent completed project, a block for a long term project, The Marriage Quilt. I decided many years ago to make a block for every year my husband and I have been together. I've made blocks celebrating our running, our granddaughter, our two new kittens, retirement, Peru, China and Switzerland. This block celebrates our 2005 trip to Italy (yes, I know I'm a few years behind). I loved the tiles I saw in so many buildings; my interpretation of those tiles is found on the right and the bottom of the block. The Tower of Pisa is as lovely in person as it is in photographs. And finally, Walter and I were in St. Peter's Square for Pope John Paul II's final public appearance, hence the papal mitre. I'll quilt along the blue lines you can see on the tower to create the details. Next block will celebrate our tenth anniversary, in 2008!
I finished a UFO! It wasn't technically a UFO, since I hadn't yet put scissors to it, but the panel HAD been sitting in my stash for years. It was waiting for the right occasion. The right occasion was granddaughter Gwen's seventh birthday. I had originally planned on hand quilting around all the countries, but came to my senses some time in the last few years. I machine quilted it along the meridians, the lines of longitude and latitude printed right on the quilt. How simple can you get? I didn't even have to mark them! The fabric I chose for the back doesn't really match the front, in color OR in theme, but it's a farm scene, so when she gets tired of looking at Turkmenistan and Uzbekistan she can play Farmville!
Remember "Sunrise/Sunset"? That was the stained glass applique quilt I mentioned in my post last July 10! I added a border using a "quilt as you go" technique, which worked well except for the very dense area around the seam. I can barely count how many layers of fabric and batting are in there. Quilting it would be out of the question. I chose a piece of fabric hand-dyed by me in a workshop years ago, the first time I've put scissors to my own hand-dyes. I quilted it in a whirly pattern that looked like the wind, and bound it with the same bias tape I used for the stained glass applique. There were a few moments when I thought I didn't have enough of the bias tape, then I found another pack in the closet. You never know what's lurking in there...
Late last spring I was invited to make a quilt. This was a challenge quilt, in way. The dimensions were specified, 18" x 30", and the theme was limited to a few hundred choices. Interesting. The themes were the various "Days of the Year", such as National Dill Pickle Day, National Safety Pin Day, National Ice Cream Day, and so on. I chose National Hot Air Balloon Day, June 5. I have wanted to make a quilt using hot air balloons as design elements since a friend chose them as her theme for a West Milford Heritage Quilters box party project. The wild colors and sensuous shapes are appealing, as is their promise of adventure. I was also taken by the possibilities of constructing part of the larger balloon in bas-relief. If I find the right dolls, there will eventually be "people" in the basket. My quilting is now tying into my early love of dollhouses and other miniatures. The background is made from 45 Chop Suey blocks, all different, oriented to give the effect of a landscape, from sunlit skies above, to trees and other vegetation below. I have loved the "challenge" aspect of this quilt. I've gone from near paralysis at having to make a piece that fits a theme, a color or a size dictated by the challenge, to enjoying the process. I think this represents a new direction for my future quilting.
I must have been busy, not to post anything for over a month, and I have been. I spent the last weekend in September, plus the first day in October, with the Country Quilters' Guild in Pine Bush, NY. What a great bunch of women! I gave lectures on Saturday morning and Sunday afternoon, and attended a lecture by the other speaker, Diane Rode Schneck of NY City, who was terrific. I entered three quilts in their show: "Pink Snowdrops", "The Drummers" and "Several Circles Short of Kandinsky", and came away with three blue ribbons! I've already posted pictures of the pink snowdrops (in the News posts) and "Several Circles" (in the Gallery) so here's a picture of "The Drummers", a whole cloth, hand quilted batik panel I made for my husband in 2008.
My granddaughter Gwen, age 6, finished her first quilt! When I visited her in July she finished sewing the rows to each other, and chose a backing from the purple fabric I had brought. I was sewing the layers together around the outside edge, and Gwen asked me what I was doing. When I told her, she said "How can you turn it right side out if you sew all the way around?" I was astounded that she even asked that question! Even adult quilters have some problems with the spatial aspect of layering, sewing and turning quilts. She named it "Summer Teapots" because one of the blocks has little teapots on it. Can you find it?
You may think I have ADD. I may actually HAVE ADD the way I jump from project to project. In anticipation of traveling to the Midwest to visit my granddaughter and her parents, I dropped all my current projects to make things for Gwen. At Christmas she had requested a sleeping bag for her American Girl dolls (all four of them second or third hand). She wanted dark and light green, with a matching pillow, so I set to work. Here is the result: Gwen with the sleeping bag, pillow and doll. I would say they all look pleased, as was I.
I spent two weeks on the west coast in June and had to find a hand-sewing project for the trip. I grabbed a little stained glass piece that I had made as a class sample a few years ago, cut a piece of batting and backing, threw it into a bag with some safety pins, thread and a needle, and tossed the bag into my suitcase. I soon realized I had forgotten a thimble. After a few days of quilting I realized that I had also forgotten to add a border. And this piece needs a border! So now I’m figuring out how to add a border to a quilt that is already sandwiched and partially quilted. Taking it apart to add a bigger piece of batting and a larger back is out of the question. My best idea as of today is to use a really wide binding that will serve as a border, too. I'm still thinking.
Labels. Why put a label on your quilt? You know who made it. And you know when you made it, at least for now. If you're like me, in a month or two you'll forget exactly when you finished it. You know why you made it, but not too many other people do. It will end up in someone else's hands or closet eventually, and they will want to know who made it, when and where and why. I don't want to be "Anonymous", and I hope you don't either. A label will also help you locate your quilt if it is ever lost. How many of your quilts are currently made by "Anonymous"? Please fix that now - your work deserves it!
I'm DONE! I auditioned pink, white and green for the binding, and chose pink. The white made my white border fabric look dingy, and the green didn't emphasize the snowdrops in the center, hence my choice. I'm happy with how the binding picks up the pink embroidery in the center, and the pink fabric of the inner border. I had enough of that pink fabric to make a sleeve (why does such a small quilt still need a four inch sleeve?), which will leave me only the label to make. More about that coming up: labels are important enough to merit their own News paragraph!
I've been working on the Pink Snowdrops quilt. I couldn't find a quilting design in my stencil collection that I liked for the border, and realized I would have to design something myself. I wanted curvy lines that would complement the embroidery, which I had adapted from a quilting design in a book by Helen Squire. I added some feathers, which echoed parts of the embroidered design. Then I drew in some swirls, which echoed other parts of the embroidered design and filled in more of the empty space. I usually mark my quilts with a blue washout pen and rinse out the marks as soon as I finish quilting each section, but I left the marks on the quilt this time so you can see them. I wasn't sure if I'd need to quilt along the embroidery, too, and decided that I did. I finished the quilting last night. Next decision?? The binding.
My quilting of the Pink Snowdrops has, of course, been interrupted. I'm teaching a group of women how to make quilts out of their T-shirts, so I had to get my own T-shirt quilt one step ahead of theirs. This is the fifth time I've taught T-shirt quilt classes, so why, you ask, do I have to make another sample quilt? This class is different. This class is version 2.0. Instead of sashing the stabilized T-shirt quilts, we're framing each of them with its own fabric. I have never made a quilt using this technique, hence the need to keep ahead of the class. The fifteen shirts are all sewn together. That's the quilt there on the right, that's my kitchen, and that's my husband Walter behind the quilt. It's nice that he's over six feet tall! I now have to figure out whether I want a border on it. Decisions, decisions. When can I get back to quilting!
I'm finally quilting - actually quilting! I've been sewing non-stop since before Christmas, but it's not the same as quilting. I hemmed tablecloths and napkins for Christmas gifts. I made two drawstring sewing pouches, for my granddaughter and for my son's girlfriend. I completed a dozen or so small fabric gifts for my husband's family and other friends. I finished my third and fourth T-shirts quilts, one as a Christmas gift, and one as a gift for a road race director I have worked with for over twenty years. I did a lot of hand sewing on the Cathedral Window project. I designed and assembled the 2012 Vintage Block challenge quilt, doing extensive embroidery around the outer border, and finally, at the beginning of April, sandwiched and pinned (I'm a "pinner" not a "baster", as you can see) the challenge quilt. I've finished quilting the center section, in a swirly water pattern, and the pink inner border, in a sunburst pattern. I'm designing the quilting pattern for the white outer border now, since I couldn't find anything quite right in my collection of stencils. Stay tuned...
About that Cathedral Window quilt . . . When I lived in Alaska, many, many moons ago, the sister-in-law of a very good friend stitched together colorful little squares during Sweet Adeline rehearsals (yeah, I did that, too). How I wanted to learn how to make those delicate curvy blocks. Fast forward thirty-five years (how many moons is that?) and the president of my quilt the West Milford Heritage Quilters, guild gives a mini workshop on Cathedral Windows!! I started my quilt that night. I've been working on it for a year and a half now, and it may be half done. Or maybe not. I haven't yet decided how big it's going to be, or how I'm going to finish the edges. You'll hear about that when I get there. It's my take-along project, perfect for trips and travels, meetings and office waits.
After an outstanding Quilt Professionals' Network conference I drove another 11 hours to the Midwest to visit my six year old granddaughter Gwen. During a summer 2011 visit I was working on a Cathedral Window quilt (more on that later) and Gwen was interested in the little fabric squares I was carrying around. She proceeded to lay out nearly a hundred squares in a grid that looked like a quilt. I asked if she wanted to make a quilt. She said yes, and I was thrilled. When I visited again at Christmas I brought thirty-five 3 1/2 inch squares in colors like the ones she had played with in the summer. She laid them out in typical quilter's fashion, moving the fabrics over and over until she was happy with the design. I showed her how to put the right sides of the fabrics together for sewing. She would bring a pair of squares to me for pinning and to mark the seam allowance; she would thread the needle (she learned how to use a needle threader); I would knot the double thread and take the first stitch; she started sewing. That Christmas she completed four rows. During my visit last week she finished the last three rows and we began the next step. I showed her how each row needed the seam allowances to be pressed to opposite sides in each successive row. She did her first ironing (don't tell her mother!), and starting sewing the rows to each other. When I visit again in the summer I think she will finish. She's already told me what she wants to do for her next project. A quilter is born!
The Quilt Professionals' Network Conference last weekend was absolutely wonderful. Seventeen quilt professionals of many different stripes met in Bird-In-Hand, PA from Friday afternoon to Sunday noon. Our primary presenter was social media expert Maria Peagler. With information from her I was able to set up a Facebook business page, and establish a board on Pinterest. If you are a quilt professional in the northeast section of the United States, consider joining us. Each year's conference focuses on a different issue of value to quilt professionals.